Leif Dag Blomkvist
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Spontaneity and the Politics of Action in Psychodrama In the realm of the tragedy Antigone by Sophocles

Workshop Leader

Leif Dag Blomkvist MA, TEP, Psychologist. Director of training at Swedish Moreno Institute. Trained and certified at Moreno Institute NY as Director of Psychodrama. Member of the American Board of Examiners as a Trainer, Educator & Practitioner (TEP); Board Member of the Nordic Board of Examiners (TEP).

    The seminar stresses that spontaneity can only exist in the public space and between two or more persons. It also stresses that the concept of spontaneity relates to the experience of freedom existing as long as he/she acts; not before or after. Action, coming from the verb in Greek “archein” meaning to begin, to start something off, to rule and the verb “prattein” to complete, to follow indicates an “inter-est” an “in-between” encounter that will bring spontaneity into appearance.

   However, spontaneity is not inherent in human nature but belongs to the common world. The spontaneity principle is related to thinking, judging and principles in the sense of “inspiring from the outside” rather than by the faculty of the Will. Spontaneity, refering to the Latin word “sponte” of free will also used by J.L. Moreno, finds no support in this argument. Freedom from the Greek point of view was a matter of Polis and politics of action. The faculty of will from this point of view is not related to freedom. The will in the sense of I-will, I will not, I-can, I-can not, relates to subjective matter and was brought much later into philosophy.

   The freedom of action lies in the act as well as in its unpredictability which always brings something new to the world and breaks cultural conserves or automatism. Rather than stressing spontaneity as a response to a new situation, the seminar stresses the fact that spontaneity is bringing something new into the world.

   Spontaneity and courage are related to the experience of freedom of action. If this argument has truth, psychotherapy today is much too focused on the private world where spontaneity is forced into behavior or a question of the free will, and thereby looses the possibility to appear and become human. Spontaneity, a quality that can only be experienced through inter- action, will only become visible in the public space. Hannah Arendt writes concerning courage and action and the experience of freedom that:

“Courage is a big word, and 1 do not mean the daring of adventure which gladly risks life for the sake of being as thoroughly and intensely alive as one can be only in the face of danger and death. Temerity is no less concerned with life than is cowardice. Courage, which we still believe to be indispensable for political action, and which Churchill once called "the first of human qualities, because it is the quality which guarantees all others," does not gratify our individual sense of vitality but is demanded of us by the very nature of the public realm.

 

   For this world of ours, because it existed before us and is meant to outlast our lives in it, simply cannot afford to give primary concern to individual lives and the interests connected with them; as such the public realm stands in the sharpest possible contrast to our private domain, where, in the protection of family and home, everything serves and must serve the security of the life process. It requires courage even to leave the protective security of our four walls and enter the public realm, not because of particular dangers which may lie in wait for us, but because we have arrived in a realm where the concern for life has lost its validity. Courage liberates men from their worry about life for the freedom of the world. Courage is indispensable because in politics not life but the world is at stake”

     Antigone by Sophocles has inspired these thoughts concerning spontaneity, action and tele. With her courage to be seen and heard, lead by the principle of honor and disobedience, she brings something entirely new into the world for the sake of the world. During the whole drama she experiences freedom of action through spontaneity. She masters whatever new situation she encounters, inspires people and brings them into insight. Spontaneity and well being are not necessarily related, however the experience of freedom through action remains.

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